White WindAvivit Segal
Photography - Archival Pigment print
'White Wind' from 2019, is part of the artist 'Seas' series, that is characterized by a distinctive use of overexposure technique and minimalism esthetics, in a quest for timeless conciseness and clarity. Subjects almost disappear among the white expanse that seems to link physical and metaphysical world, allowing the presence of silence, and reinforcing the images themselves.
Avivit Segal
Multidisciplinary artist, photographer and painter, Avivit Segal was trained in therapeutic horse riding and Chinese medicine, before focusing on her artistic career. Her works have been widely exhibited in Israel. Her distinctive photography style aimed for the meeting point between the concrete photograph and the abstract image.
For the artist, the white expanse created in consequence of overexposure is meaningful. In her quest for the ‘naked’ picture, Avivit Segal tries to reach the outcome of timeless conciseness and clarity. Overexposure conceals details which are unnecessary to her, yet remain as a ‘ghost’ in the final result.
For Segal: “The white expanse is the midst between the physical world and themetaphysical world, which allows the presence of silence, the ‘pause’ between the words, thus reinforcing the images themselves. The thin deployed line between the revealed and the not revealed.”
Her photographs represents a reality without time or place, a dismantling of reality and its reassembling.
Photography - Archival Pigment print
'White Wind' from 2019, is part of the artist 'Seas' series, that is characterized by a distinctive use of overexposure technique and minimalism esthetics, in a quest for timeless conciseness and clarity. Subjects almost disappear among the white expanse that seems to link physical and metaphysical world, allowing the presence of silence, and reinforcing the images themselves.
Avivit Segal
Multidisciplinary artist, photographer and painter, Avivit Segal was trained in therapeutic horse riding and Chinese medicine, before focusing on her artistic career. Her works have been widely exhibited in Israel. Her distinctive photography style aimed for the meeting point between the concrete photograph and the abstract image.
For the artist, the white expanse created in consequence of overexposure is meaningful. In her quest for the ‘naked’ picture, Avivit Segal tries to reach the outcome of timeless conciseness and clarity. Overexposure conceals details which are unnecessary to her, yet remain as a ‘ghost’ in the final result.
For Segal: “The white expanse is the midst between the physical world and themetaphysical world, which allows the presence of silence, the ‘pause’ between the words, thus reinforcing the images themselves. The thin deployed line between the revealed and the not revealed.”
Her photographs represents a reality without time or place, a dismantling of reality and its reassembling.
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